1
00:00:05,400 --> 00:00:06,166
>>I DON'T THINK THIS IS A GOOD IDEA
WHAT
2
00:00:06,167 --> 00:00:07,266
WE ARE SO AFFECTIVE
IN FRONT
3
00:00:07,267 --> 00:00:08,567
OF ALL THESE PEOPLE, TEO.
4
00:00:09,367 --> 00:00:10,666
>>AND I HAVE PERSONALLY DONE
THE
5
00:00:10,667 --> 00:00:11,666
GUEST LIST AND YOU ARE NOT HERE
6
00:00:11,667 --> 00:00:14,567
IN HER. SO GO WHERE
YOU HAVE COME.
7
00:00:15,467 --> 00:00:17,999
>>I HAVE COME TO TAKE CARE OF MY
WIFE'S PLACE.
8
00:00:18,000 --> 00:00:19,234
>>YOU ARE COMPLETELY CRAZY.
9
00:00:20,067 --> 00:00:22,266
>>IF YOU NEED A RECORDING
FROM THAT WOMAN, DON'T HESITATE
10
00:00:22,267 --> 00:00:25,801
ASK ME FOR IT. YOU CAN PLAY IT
HERE ON MY MOBILE.
11
00:00:27,167 --> 00:00:28,533
>>THAT THE MAYOR IS THERE?
12
00:00:28,534 --> 00:00:30,734
WHAT ARE YOU LOOKING FOR?
13
00:00:32,000 --> 00:00:34,266
>>YOU HELP ME IN MY CAMPAIGN
14
00:00:34,267 --> 00:00:39,100
FOR RE-ELECTION AND I WILL HELP YOU
WITH YOUR BUSINESS.
15
00:00:40,033 --> 00:00:41,767
>>I BROUGHT YOU MEXICAN.
16
00:00:43,100 --> 00:00:50,100
[♪Mariachi ♪]
17
00:00:51,567 --> 00:00:54,199
>>BECAUSE I CAME IT WAS FOR YOU.
DID YOU HEAR, MAMACITA?
18
00:00:54,200 --> 00:00:56,999
>>WELL LOOK, I PRESENT YOU TO ME
BRIDE, GUADALUPE.
19
00:00:57,000 --> 00:00:58,601
>>OH YES?
20
00:00:59,467 --> 00:01:00,733
>>DOES IT SEEMS OLDER TO YOU?
21
00:01:00,734 --> 00:01:03,933
HIGHNESS TO BE A WIDOW THAT
DIVORCED?
22
00:01:03,934 --> 00:01:04,666
[Slap]
23
00:01:04,667 --> 00:01:05,767
>>HOW DARE YOU?!
24
00:01:06,334 --> 00:01:07,132
>>WELL, MAN, THE LIST OF
25
00:01:07,133 --> 00:01:08,132
ALL THE CALLS I MADE
26
00:01:08,133 --> 00:01:10,967
ALJARAFE'S WOMAN TO EDDY
ALVAREZ. LOOK.
27
00:01:10,968 --> 00:01:16,033
>>IT IS VERY CLEAR.
IT WAS YOU.
28
00:01:17,534 --> 00:01:20,500
>>I DID NOT RETURN ARTURO
NOT TO SEE EVEN ON THE CURVES,
29
00:01:20,501 --> 00:01:21,399
ALTHOUGH LATER I REALIZED
30
00:01:21,400 --> 00:01:23,233
THAT HE WAS AN INFILTRATED AGENT.
31
00:01:23,234 --> 00:01:24,399
AND JUST AS TERESA TOLD ME, HER
32
00:01:24,400 --> 00:01:27,133
REAL NAME WAS DIZQUE
WILLY.
33
00:01:28,200 --> 00:01:31,634
>>SOMETHING TELLS ME THAT
WORSE HAS NOT HAPPENED EVEN.
34
00:01:32,300 --> 00:01:33,300
[Laughs]
35
00:01:33,567 --> 00:01:40,000
[♪]
36
00:01:40,534 --> 00:01:41,666
>>EUGENIA DIDN'T EVEN KNOW HOW TO REACT,
37
00:01:41,667 --> 00:01:46,132
HE WAS WITH HIS MOUTH OPEN.
38
00:01:46,133 --> 00:01:49,666
>>THAT DOESN'T WORRY ME,
THAT THEN YOU HAVE ONE
39
00:01:49,667 --> 00:01:52,500
DISPROPORTIONATE REACTION.
40
00:01:52,501 --> 00:01:53,466
TESA, WE CANNOT SUBJECT TO
BEINGS
41
00:01:53,467 --> 00:01:55,666
WEAK TO AN EXCESSIVE FEAR,
42
00:01:55,667 --> 00:01:59,733
BECAUSE THE ANSWER IS ALWAYS
FATAL.
43
00:01:59,734 --> 00:02:01,533
WELL, I HOPE ALJARAFE AL
44
00:02:01,534 --> 00:02:04,333
HAVE LESS BEEN DISCREET WITH
SHE.
45
00:02:04,334 --> 00:02:05,199
>>WELL, I GUESS, HE'S A LAWYER
46
00:02:05,200 --> 00:02:07,601
AND YOU MUST KNOW THE RISKS,
NO?
47
00:02:09,067 --> 00:02:11,600
>>IF THAT WOMAN KNOWS MORE,
CAN BECOME A
48
00:02:11,601 --> 00:02:15,166
DANGEROUS WEAPON AGAINST
ORGANIZATION.
49
00:02:15,167 --> 00:02:18,600
>>DO YOU THINK IT'S GOING TO HAPPEN TO
INFORMATION TO THE POLICE?
50
00:02:18,601 --> 00:02:23,633
>>I DON'T KNOW. LET'S TRUST.
51
00:02:23,634 --> 00:02:27,199
IF NOT, YOU WILL HAVE TO PROTECT YOURSELF.
52
00:02:27,200 --> 00:02:29,500
>>HOW?
53
00:02:29,501 --> 00:02:30,600
>>TESA, YOU KNOW PERFECTLY
54
00:02:30,601 --> 00:02:33,466
WHAT ARE THE RULES OF THE
GAME,
55
00:02:33,467 --> 00:02:35,601
IT'S HER OR US.
56
00:02:37,601 --> 00:02:41,801
[♪]
57
00:02:43,133 --> 00:02:43,999
>>SÁNCHEZ GODOY IS HERE.
58
00:02:44,000 --> 00:02:45,399
>>WHAT WHAT?!
59
00:02:45,400 --> 00:02:47,166
THAT SÁNCHEZ GODOY IS THERE?
60
00:02:47,167 --> 00:02:50,767
>>YES, AT THE PARTY. PATTY ME IT
JUST PRESENTED.
61
00:02:51,000 --> 00:02:51,767
>>WELL, THEN FIND OUT WHAT IT DOES
62
00:02:52,000 --> 00:02:53,233
THAT C... IN SPAIN, WHY NOT
63
00:02:53,234 --> 00:02:54,433
I THINK HE HAS CROSSED THE
64
00:02:54,434 --> 00:02:55,500
ATLANTIC JUST TO WISH YOU
65
00:02:55,501 --> 00:02:57,233
HAPPY BIRTHDAY TO YOU TO TERESA.
66
00:02:57,234 --> 00:02:59,266
>>NO, OF COURSE NOT.
67
00:02:59,267 --> 00:03:01,666
HE TOLD ME ABOUT HIS NEW
CARGO AND BUSINESS
68
00:03:01,667 --> 00:03:03,466
WHAT DOES HE HAVE WITH HER?
69
00:03:03,467 --> 00:03:05,366
>>P... MOTHER.
WELL, I NEED YOU TO DO
70
00:03:05,367 --> 00:03:09,566
FRIEND OF HIM. HE LOVES THEM
BEAUTIFUL WOMEN, HE DOESN'T KNOW
71
00:03:09,567 --> 00:03:12,066
HE WILL REFUSE TO TALK TO YOU.
YOU HAVE TO COME TO HIM,
72
00:03:12,067 --> 00:03:14,733
DID YOU UNDERSTAND ME, VERONICA?
IT'S AN ORDER!
73
00:03:14,734 --> 00:03:17,400
>>YES, WILLY. BYE BYE.
74
00:03:18,400 --> 00:03:25,400
[♪]
75
00:03:32,734 --> 00:03:35,166
>> YOU HAVE TO CONTROL YOURSELF,
PATTY, EVEN IF I HAVE ONE TO YOU
76
00:03:35,167 --> 00:03:36,266
REGALADO SÁNCHEZ GODOY.
77
00:03:36,267 --> 00:03:38,233
YOU ALWAYS HAVE AN EXCUSE TO
PUT YOU TO THE BACK AND PULL YOU,
78
00:03:38,234 --> 00:03:42,066
WELL, EVEN THE FLOUR OF THE
TORTILLAS.
79
00:03:42,067 --> 00:03:43,132
AND ALSO, YOU INVITE ALL OF THIS
80
00:03:43,133 --> 00:03:46,233
PRESS WHEN YOU KNOW YOU DON'T ME
LIKE.
81
00:03:46,234 --> 00:03:49,466
>>OH, DEAR! BECAUSE WHAT NOT
IT IS PUBLISHED HAS NOT HAPPENED.
82
00:03:49,467 --> 00:03:51,266
ALSO, I WANTED THIS
UNFORGETTABLE BIRTHDAYS
83
00:03:51,267 --> 00:03:54,299
FOR YOU AND FOR THE SOUTH OF SPAIN.
AND EUGENIA HAD TO COME TO
84
00:03:54,300 --> 00:03:56,266
RUIN EVERYTHING FOR ME.
85
00:03:56,267 --> 00:03:59,666
>>THESE SOCIAL EVENTS TO ME
THEY MAKE ME UNCOMFORTABLE, YOU ALREADY KNOW.
86
00:03:59,667 --> 00:04:01,433
>>HUM... BECAUSE YOU'RE NEVER GOING TO
STOP BEING A PEASANT
87
00:04:01,434 --> 00:04:03,267
MILLIONAIRE, MEXICAN.
88
00:04:03,701 --> 00:04:06,767
[Laughs]
89
00:04:07,000 --> 00:04:09,266
>>PATTY, YOU SAY EVERY...
YOU ARE REALLY CRAZY.
90
00:04:09,267 --> 00:04:12,299
>>I COULD NOT IMAGINE THAT
EUGENIA WAS GOING TO COME TO F... EVERYTHING.
91
00:04:12,300 --> 00:04:13,801
THANK YOU YOU HAD THE
RECORDING.
92
00:04:14,033 --> 00:04:16,099
IF YOU SEE HOW HE LEFT HERE,
IT SEEMED SHE WAS POSSESSED BY
93
00:04:16,100 --> 00:04:22,099
THE DEMON. AHHHH! [Laughs]
I THOUGHT YOU... TEACHED THE
94
00:04:22,100 --> 00:04:23,801
POLICE THAT RECORDING, LOOK AT IT.
95
00:04:24,033 --> 00:04:27,733
>>NO. LIEUTENANT, NO.
96
00:04:27,734 --> 00:04:30,534
WHAT HAPPENS BETWEEN THEM
IT'S NOT MY BUSINESS.
97
00:04:31,300 --> 00:04:32,466
>>TERESA, EUGENIA TRIES TO KILL
98
00:04:32,467 --> 00:04:34,399
TO TEO, AND IT'S NOT YOUR BUSINESS?
99
00:04:34,400 --> 00:04:35,967
>>NO.
100
00:04:35,968 --> 00:04:37,366
>>I THOUGHT YOU LIKED IT.
101
00:04:37,367 --> 00:04:38,399
>>AH, NO, YES I LIKE IT. BUT IT
102
00:04:38,400 --> 00:04:40,132
WHAT I HAVE WITH TEO IS NOTHING
MORE
103
00:04:40,133 --> 00:04:42,500
PROFESSIONAL, WORKING.
104
00:04:42,501 --> 00:04:43,767
LET HE DO WHAT HE WANTS TO DO
105
00:04:44,000 --> 00:04:45,500
WITH THE RECORDING THAT I GAVE HIM AND WITH
106
00:04:45,501 --> 00:04:47,399
THE MOTHER OF HER DAUGHTERS, DON'T ME
IT MATTERS. IT'S A MATTER
107
00:04:47,400 --> 00:04:51,334
HIS, NOT MINE, NOT YOURS.
UNDERSTOOD?
108
00:04:54,400 --> 00:04:56,333
>>FOR YOU, MEXICAN.
109
00:04:56,334 --> 00:04:57,634
>>FOR YOU.
110
00:04:58,567 --> 00:05:02,367
[♪]
111
00:05:02,701 --> 00:05:04,234
GOOD TEQUILA.
112
00:05:05,234 --> 00:05:07,334
[♪]
113
00:05:08,300 --> 00:05:15,300
[♪]
114
00:05:20,767 --> 00:05:27,767
[♪]
115
00:05:51,567 --> 00:05:53,233
[Remember]
116
00:05:53,234 --> 00:05:56,700
>>HOW COULD YOU MAKE ME
THIS?
117
00:05:56,701 --> 00:05:58,032
WHEN YOU MADE THE DECISION TO
118
00:05:58,033 --> 00:06:01,566
PAY SOMEONE TO GET ME
MURDERER, EUGENIA,
119
00:06:01,567 --> 00:06:02,801
YOU SLEEP WITH ME THAT
NIGHT,
120
00:06:03,033 --> 00:06:06,233
AND YOU SLEEP WITH THE CONSCIENCE
QUIET?
121
00:06:06,234 --> 00:06:07,466
DID WE MAKE LOVE WHILE
122
00:06:07,467 --> 00:06:10,566
YOU THOUGHT IT WOULD BE THE LAST
TIME? HUH?
123
00:06:10,567 --> 00:06:11,633
FOR 30 MILLION OF INSURANCE
124
00:06:11,634 --> 00:06:15,733
YOU WERE GOING TO LEAVE YOUR FATHERLESS
OWN DAUGHTERS?!
125
00:06:15,734 --> 00:06:20,100
>>YOU ARE A CONFESSED KILLER
AND YOU'RE GOING TO PAY FOR THAT.
126
00:06:20,701 --> 00:06:27,701
[♪]
127
00:06:42,000 --> 00:06:43,600
>>I DON'T UNDERSTAND HOW YOU CAN BE
SO HARD ON ME AND THEN A
128
00:06:43,601 --> 00:06:46,366
LITTLE LAMB WITH THE WITCH
EUGENIE. SHE HATES YOU.
129
00:06:46,367 --> 00:06:52,199
>>I ALREADY KNOW. POT.
BUT THAT DOES NOT MAKE HER MY ENEMY.
130
00:06:52,200 --> 00:06:56,099
I CHOOSE MY ENEMIES,
PATTY. SHE IS NOT.
131
00:06:56,100 --> 00:06:58,767
>>YES IT IS, IT IS WORSE, IT IS YOUR
RIVAL.
132
00:06:59,000 --> 00:07:00,700
>>NO, HUH? REALLY THAT
NEITHER. I AM NOT
133
00:07:00,701 --> 00:07:02,767
COMPETING WITH HER.
134
00:07:03,000 --> 00:07:05,600
>>ARE YOU SO SURE
WHICH TEO IS YOURS?
135
00:07:05,601 --> 00:07:08,199
>>I AM SO SURE
THAT IT IS NOT.
136
00:07:08,200 --> 00:07:08,933
[Laughs]
137
00:07:08,934 --> 00:07:09,733
>>LIAR.
138
00:07:09,734 --> 00:07:12,801
>>AH, SO WHAT, MAMACITA?
OH?
139
00:07:13,000 --> 00:07:14,600
WHY DID YOU LEAVE ME DROPPED?
WHAT DID YOU NOT LIKE?
140
00:07:14,601 --> 00:07:18,032
>>OH, DON'T SAY THAT, HONEY, YES
I LEFT YOU ACCOMPANIED BY LUPE!
141
00:07:18,033 --> 00:07:20,666
>>WHAT'S GOING, YES, FRIEND, YOU'RE ALREADY
HE DOESN'T LOVE ME. DON'T YOU SEE THAT I
142
00:07:20,667 --> 00:07:23,032
DID YOU STOP TALKING ALONE?
LICO!
143
00:07:23,033 --> 00:07:26,099
TERESITA, WHAT ARE WE GOING TO DO
WITH THE SPANISH PARTNER WHO IS NOT
144
00:07:26,100 --> 00:07:28,199
YOU WANT THIS HEART, AH?
145
00:07:28,200 --> 00:07:29,700
>>BUT HOW NOT?
146
00:07:29,701 --> 00:07:31,366
SÁNCHEZ GODOY, YES PATTY TE
ADORA.
147
00:07:31,367 --> 00:07:32,533
>>YES...!
148
00:07:32,534 --> 00:07:33,700
Godoy: IT WAS...
149
00:07:33,701 --> 00:07:34,533
>>A LOT.
150
00:07:34,534 --> 00:07:36,533
>>FRIEND, HAVE YOU TOLD TESA?
151
00:07:36,534 --> 00:07:38,633
>>NO, NOW I'LL TELL YOU WHAT
WHAT HAPPENS IS THAT WE ARE
152
00:07:38,634 --> 00:07:39,533
PARTY. WHAT ARE WE GOING TO WEAR
153
00:07:39,534 --> 00:07:42,801
LET'S TALK ABOUT BUSINESS, OH?
DO YOU WANT A TASTE OF THAT?
154
00:07:43,033 --> 00:07:45,132
WHAT DID I BRING YOU OR WHAT, MY LOVE?
155
00:07:45,133 --> 00:07:46,233
>>I ALREADY TRIED IT.
156
00:07:46,234 --> 00:07:48,167
>>OTRICA.
157
00:07:50,200 --> 00:07:53,466
>>OK! TAKE ME TO KNOW THE
GLORY AGAIN! [Laughs]
158
00:07:53,467 --> 00:07:55,434
>>COME HERE.
159
00:07:55,534 --> 00:08:02,601
[♪]
160
00:08:04,367 --> 00:08:10,399
>>PATTY WILL NEVER CHANGE.
I HAVE TO WARN YOU TO BE
161
00:08:10,400 --> 00:08:13,234
DISCREET WITH HER.
162
00:08:14,234 --> 00:08:16,801
[♪]
163
00:08:25,300 --> 00:08:27,099
[Remember] Eddy: I WILL BE WHAT
BE IT, BUT YOU ARE NOTHING ELSE
164
00:08:27,100 --> 00:08:30,666
WHAT A P... WITH A GOOD LAST NAME AND
LITTLE PASTE THAT WAS ABLE TO
165
00:08:30,667 --> 00:08:31,733
CRAWL BEHIND
OF THE MAJOR
166
00:08:31,734 --> 00:08:35,233
FORTUNE OF ANDALUSIA AND IT'S OVER
MARRIED TO A DON JUAN, WHO
167
00:08:35,234 --> 00:08:36,666
IN ADDITION TO SLEEPING WITH EVERYTHING
LA
168
00:08:36,667 --> 00:08:38,666
WHAT IS PUT IN FRONT, TO YOU
169
00:08:38,667 --> 00:08:40,066
HE FORCED YOU TO SIGN A CONTRACT
170
00:08:40,067 --> 00:08:42,433
SEPARATION OF ASSETS BEFORE
OF MARRIAGE.
171
00:08:42,434 --> 00:08:45,132
WITH TEO ALIVE, YOU SIMPLY ARE
A VULGAR HOUSEWIFE WITH
172
00:08:45,133 --> 00:08:48,534
CREDIT CARDS THAT
HER HUSBAND PAYS HER.
173
00:08:49,334 --> 00:08:56,334
[♪]
174
00:09:00,067 --> 00:09:07,067
[sobs]
175
00:09:19,801 --> 00:09:22,200
>>AH!
176
00:09:26,767 --> 00:09:29,399
>>AH! [Laughs]
177
00:09:29,400 --> 00:09:32,132
>>COME ON, MY MONITA.
COME HERE.
178
00:09:32,133 --> 00:09:33,733
HOW NICE TO HAVE YOU HERE, MAMACITA.
179
00:09:33,734 --> 00:09:36,132
YOU DON'T KNOW WHAT IT MEANS
FOR ME.
180
00:09:36,133 --> 00:09:37,066
>>OH YES?
181
00:09:37,067 --> 00:09:40,801
>>SUCH A BEAUTIFUL MONKEY
AS YOU ARE.
182
00:09:41,033 --> 00:09:43,566
WITH THOSE LITTLE EYES AND THAT LITTLE MOUTH.
183
00:09:43,567 --> 00:09:46,634
COME ON, STICK THAT LITTLE MOUTH TO THE
MINE.
184
00:09:47,400 --> 00:09:49,300
[Patty laughs]
185
00:09:49,634 --> 00:09:56,567
[♪]
186
00:09:57,467 --> 00:09:59,166
[Laughs]
187
00:09:59,167 --> 00:10:05,266
>>I FEEL...
COME ON.
188
00:10:05,267 --> 00:10:07,567
AH, WHAT A CUTE CUTE!
189
00:10:08,667 --> 00:10:15,667
[♪]
190
00:10:18,734 --> 00:10:21,233
A QUEEN WHO CAME THERE,
OH?
191
00:10:21,234 --> 00:10:22,032
[Laughs]
192
00:10:22,033 --> 00:10:22,767
MAMACITA, KEEP CALM.
193
00:10:23,000 --> 00:10:26,267
TAKE OFF YOUR CLOTHES AND WE'LL DO
THE TRIO, RIGHT?
194
00:10:28,267 --> 00:10:33,000
>>LUPE! COME!
IT'S NOT WHAT IT LOOKS LIKE, LUPE!
195
00:10:34,334 --> 00:10:39,000
>>DON'T DELAY, MONITA.
THAT LEFT ME INITIA'O.
196
00:10:46,300 --> 00:10:49,567
>>EUGENIE!
EUGENIE!
197
00:10:50,467 --> 00:10:57,467
[♪]
198
00:11:07,100 --> 00:11:08,267
EUGENIE!
199
00:11:08,701 --> 00:11:12,233
>> THEY ARE ASLEEP.
I DON'T WANT ANYTHING TO DISTURB
200
00:11:12,234 --> 00:11:16,299
YOUR DREAM, HONEY.
WE HAVE TO DO IT
201
00:11:16,300 --> 00:11:23,367
EVERYTHING FOR THEM. ALL!
THEY ARE LITTLE ANGELS, RIGHT?
202
00:11:25,033 --> 00:11:32,033
THEY ARE OUR LITTLE ANGELS!
THEY ARE MY LITTLE ANGELS!
203
00:11:36,467 --> 00:11:41,099
OF COURSE, THEY ARE GOING TO TAKE CARE OF ME,
HONEY.
204
00:11:41,100 --> 00:11:43,767
THEY ARE GOING TO TAKE CARE OF ME.
205
00:11:48,701 --> 00:11:51,366
>>OH, LUPE, LUPE, COME!
206
00:11:51,367 --> 00:11:52,266
>>LET GO OF ME!
207
00:11:52,267 --> 00:11:54,700
>>OW! DON'T CARE ABOUT IT.
208
00:11:54,701 --> 00:11:57,099
LOOK, I'M VERY DRUNK
AND I DON'T KNOW WHAT I'M DOING.
209
00:11:57,100 --> 00:11:59,032
I HAVE ALREADY GOT A LOT IN
PERICO, WHAT DO YOU WANT?
210
00:11:59,033 --> 00:12:02,266
>>CHECK YOURSELF!
YOU ARE BEHAVIOR LIKE A
211
00:12:02,267 --> 00:12:05,099
STUPID AND YOU'RE ACTING LIKE
A BITCH IN HOT.
212
00:12:05,100 --> 00:12:06,700
>>HEY! YOU ARE OFFENDING ME.
213
00:12:06,701 --> 00:12:08,199
>>WELL THAT'S GOOD.
214
00:12:08,200 --> 00:12:10,666
TO CHARGE ME WITH THE SAME
CURRENCY.
215
00:12:10,667 --> 00:12:13,099
>>DON'T BE DUMB AND DON'T GIVE HIM
IMPORTANCE, THAT GUY GIVES ME
216
00:12:13,100 --> 00:12:14,266
SAME! IT'S JUST A GOOD BUSINESS
217
00:12:14,267 --> 00:12:17,433
AND I HAVE TO BE VERY BEHAVIOR
GOOD WITH HIM.
218
00:12:17,434 --> 00:12:19,801
>>HOW DOES A P...?
WHAT DO YOU WANT ME TO DO,
219
00:12:20,033 --> 00:12:22,466
MAY IT APPLAUSE YOU OR MAY IT TANGLE ME
IN BED WITH YOU?
220
00:12:22,467 --> 00:12:23,199
>>HUM...
221
00:12:23,200 --> 00:12:24,299
>>DO YOU KNOW WHAT? I'M GOING TO MY HOUSE.
222
00:12:24,300 --> 00:12:26,667
>>OH, LUPE! LUPE!
223
00:12:28,534 --> 00:12:30,534
>>DID MY TRIO BOTTLE OR WHAT?
224
00:12:31,534 --> 00:12:36,767
[♪]
225
00:12:37,701 --> 00:12:40,466
>>MOM LOVES YOU VERY MUCH, BUT
NOW IT'S BAD AND THAT'S WHY
226
00:12:40,467 --> 00:12:42,801
WE ARE NOT GOING WITH YOU.
227
00:12:44,067 --> 00:12:49,000
[♪]
228
00:12:49,634 --> 00:12:50,500
YOU KNOW THEY ARE THE MOST
IMPORTANT
229
00:12:50,501 --> 00:12:52,500
IN MY LIFE, RIGHT?
I LOVE YOU SO MUCH, THAT
230
00:12:52,501 --> 00:12:56,234
DAD LOVES YOU CRAZYLY.
DO YOU KNOW IT?
231
00:12:57,734 --> 00:13:03,233
MOO!
AURORA COME BACK TOMORROW TO FIRST
232
00:13:03,234 --> 00:13:04,199
TIME TO PICK UP CLOTHES
OF THE GIRLS.
233
00:13:04,200 --> 00:13:04,933
>>YES, SIR.
234
00:13:04,934 --> 00:13:07,299
>>I'M GOING TO SEND THEM A GOOD
SEASON WITH YOUR GRANDPARENTS
235
00:13:07,300 --> 00:13:08,032
TO THE FARMHOUSE.
236
00:13:08,033 --> 00:13:11,567
>>DON'T WORRY, DON TEO,
I TAKE CARE OF THEM. COME ON, GIRLS.
237
00:13:12,234 --> 00:13:13,467
>>I LOVE YOU.
238
00:13:13,801 --> 00:13:19,133
[♪]
239
00:13:19,567 --> 00:13:22,467
[Cell phone rings]
240
00:13:23,367 --> 00:13:28,099
>>YES, TERESA.
YES, YES, THE GIRLS ARE FINE.
241
00:13:28,100 --> 00:13:30,333
WELL I DON'T KNOW, WHEN I ARRIVED,
EUGENIA HAD A ATTACK OF
242
00:13:30,334 --> 00:13:32,600
MADNESS AND, FOR A MOMENT, I THOUGHT
THAT HAD HURT THEM. BUT
243
00:13:32,601 --> 00:13:36,266
NO, THANK GOD EVERYTHING WAS A
SCARE.
244
00:13:36,267 --> 00:13:37,999
WELL, SHE IS SEDATED, SHE IS
SLEEPING. I DID NOT WANT
245
00:13:38,000 --> 00:13:40,600
HER DAUGHTERS SEE HER LIKE THIS.
I DON'T KNOW WHAT I'M GOING TO DO,
246
00:13:40,601 --> 00:13:43,132
I SWEAR TO YOU.
UNTIL TOMORROW, TERESA.
247
00:13:43,133 --> 00:13:46,801
AND THANK YOU FOR CONCERNING
FOR ME AND FOR THE GIRLS.
248
00:13:47,300 --> 00:13:53,334
[♪]
249
00:13:54,200 --> 00:13:57,466
>>WILLY, COME IMMEDIATELY FOR
ME. I SEE YOU WHERE WE AGREE. NO
250
00:13:57,467 --> 00:14:00,167
I CAN STAY ONE MORE SECOND IN
THIS PLACE.
251
00:14:02,601 --> 00:14:05,032
>>WHO ARE YOU TALKING TO, HONEY?
252
00:14:05,033 --> 00:14:09,266
>>MOM, I HAVE TO CALL YOU
TOMORROW. YES, EVERYTHING IS WELL.
253
00:14:09,267 --> 00:14:11,601
YES, YES, I LOVE YOU TOO.
254
00:14:13,334 --> 00:14:14,767
>>WHY ARE YOU FOLLOWING ME, HUH?
255
00:14:15,000 --> 00:14:18,299
WHY DID YOU LEAVE HIM SO ALONE
COLOMBIAN? HE'S GOING TO MISS YOU.
256
00:14:18,300 --> 00:14:19,801
>>YOU ARE SO BEAUTIFUL WHEN YOU
ANGRY...
257
00:14:20,033 --> 00:14:22,266
>>OH, GO TO THE C...!
NOW I KNOW WHAT I AM TO YOU.
258
00:14:22,267 --> 00:14:25,667
>>HEY, LUPE, BUT IT IS LEFT
MANY NIGHT AHEAD!
259
00:14:40,634 --> 00:14:47,634
[♪]
260
00:14:52,601 --> 00:14:56,033
>>HOW HAVE WE BEEN ABLE
COME TO THIS?
261
00:14:56,801 --> 00:15:03,868
[♪]
262
00:15:26,300 --> 00:15:29,367
[Theme music]
263
00:15:31,367 --> 00:15:38,367
{\an8}[♪]
264
00:15:52,000 --> 00:15:59,000
{\an8}[♪]
265
00:16:10,234 --> 00:16:17,234
{\an8}[♪]
266
00:16:27,567 --> 00:16:34,567
{\an8}[♪]
267
00:16:45,033 --> 00:16:50,567
[♪]
268
00:16:53,100 --> 00:16:54,267
{\an8}Rabbit: OW!
269
00:16:55,000 --> 00:16:58,433
{\an8}[Laughs]
270
00:16:58,434 --> 00:17:00,099
{\an8}>>HOW ARE YOU?
271
00:17:00,100 --> 00:17:01,767
{\an8}>>OH, VERY GOOD!
272
00:17:02,133 --> 00:17:03,433
{\an8}[Laugh]
273
00:17:03,434 --> 00:17:05,300
{\an8}DRUNK.
274
00:17:06,234 --> 00:17:10,767
{\an8}[♪]
275
00:17:12,000 --> 00:17:14,867
SINCE YOU FOUND OUT THAT
I AM EX-PRESIDIARY NO LONGER
276
00:17:14,868 --> 00:17:16,533
IT CAUSES SO MUCH GRACE, RIGHT?
277
00:17:16,534 --> 00:17:20,032
>>THAT'S THE LEAST THING.
THE OTHER IS WHAT ME
278
00:17:20,033 --> 00:17:22,100
IT'S HARD TO DIGEST.
279
00:17:22,801 --> 00:17:23,633
[Laughs]
280
00:17:23,634 --> 00:17:28,166
>>THE MURDERER THING?
WHAT DO YOU WANT ME TO TELL YOU?
281
00:17:28,167 --> 00:17:34,234
I AM. AND I FEEL VERY RELIEVED
THAT YOU HAVE KNOWN ABOUT.
282
00:17:35,300 --> 00:17:36,733
[Laughs]
283
00:17:36,734 --> 00:17:41,132
BUT DON'T WORRY,
WHICH I AM NOT ALWAYS.
284
00:17:41,133 --> 00:17:47,167
[Laughs]
285
00:17:48,701 --> 00:17:52,566
WOULD YOU LIKE A WINE?
I PROMISE YOU I WON'T THINK ABOUT IT
286
00:17:52,567 --> 00:17:54,634
PUT BLEACH.
287
00:17:56,267 --> 00:18:00,734
[Laughs]
288
00:18:09,300 --> 00:18:13,166
♪ I think we can see
289
00:18:13,167 --> 00:18:14,666
the new dawn of
290
00:18:14,667 --> 00:18:18,433
a new day. ♪
291
00:18:18,434 --> 00:18:19,999
♪ I think that you and I
292
00:18:20,000 --> 00:18:22,700
we can be happy
293
00:18:22,701 --> 00:18:25,500
yet. ♪
294
00:18:25,501 --> 00:18:27,299
>>THIS WAS OUR SONG.
295
00:18:27,300 --> 00:18:29,600
>>YES, WELL.
296
00:18:29,601 --> 00:18:32,533
♪...We look for a corner... ♪
297
00:18:32,534 --> 00:18:33,366
[Remember]
298
00:18:33,367 --> 00:18:35,199
Epifanio: WELL, HEALTHY,
CHILDREN, EH?
299
00:18:35,200 --> 00:18:36,132
[Jingle]
300
00:18:36,133 --> 00:18:38,132
THEY THEY HAVE FUN!
301
00:18:38,133 --> 00:18:39,601
HEALTH!
302
00:18:42,033 --> 00:18:43,367
LEAVE ME!
303
00:18:44,200 --> 00:18:45,700
LET'S SEE, BATMAN, TAKE ME ONE
304
00:18:45,701 --> 00:18:47,233
PHOTO HERE WITH MY GODSON AND
305
00:18:47,234 --> 00:18:49,100
WITH HIS GIRLFRIEND.
306
00:18:50,267 --> 00:18:51,166
>>COME ON, LET'S TAKE IT
307
00:18:51,167 --> 00:18:52,199
A PHOTO.
308
00:18:52,200 --> 00:18:53,267
El Güero: A PHOTO?
309
00:18:55,767 --> 00:18:58,132
Epifanio: A PHOTO HERE.
ONE GODSON ON EACH SIDE.
310
00:18:58,133 --> 00:18:59,801
El Güero: THAT.
A PHOTO FOR HISTORY, FOR
311
00:19:00,067 --> 00:19:02,633
MAY WE NEVER FORGET THE DAY
THAT MY GODFATHER KNEW THE
312
00:19:02,634 --> 00:19:03,633
LOVE OF MY LIFE.
313
00:19:03,634 --> 00:19:04,999
>>WALK IT!
314
00:19:05,000 --> 00:19:06,099
[Laughs]
315
00:19:06,100 --> 00:19:08,233
REMOVE YOUR GLASSES TO
THAT DOES NOT REFLECT.
316
00:19:08,234 --> 00:19:09,199
Güero: SORRY, GODFATHER.
317
00:19:09,200 --> 00:19:11,700
>>SMILE AT HIM.
SAY "CULICHE".
318
00:19:11,701 --> 00:19:13,299
Together: CULICHE.
319
00:19:13,300 --> 00:19:14,601
[Laughs]
320
00:19:15,334 --> 00:19:16,066
>>THERE IT IS!
321
00:19:16,067 --> 00:19:17,167
Epifanio: THAT.
322
00:19:18,434 --> 00:19:25,434
[♪]
323
00:19:34,801 --> 00:19:36,666
>>POUR YOURSELF ONE.
324
00:19:36,667 --> 00:19:37,399
>>REALLY?
325
00:19:37,400 --> 00:19:39,400
>>YES, LET'S CELEBRATE, GO ON.
326
00:19:40,467 --> 00:19:47,467
[♪]
327
00:19:54,300 --> 00:19:55,266
Teresa: HEALTH.
328
00:19:55,267 --> 00:19:57,234
>>HEALTH, MADAM.
329
00:19:58,667 --> 00:20:03,433
>>HEY, POT.
WERE YOU THERE WHEN I
330
00:20:03,434 --> 00:20:05,400
DID THEY KILL MY GÜERO?
331
00:20:06,234 --> 00:20:07,733
[Remember]
332
00:20:07,734 --> 00:20:09,566
[Shots]
333
00:20:09,567 --> 00:20:11,334
[Explosion]
334
00:20:13,567 --> 00:20:20,567
>>DAMN, LADY, NOW I AM
HE THROWN A BALL VERY LOW.
335
00:20:21,467 --> 00:20:25,634
THERE ARE THINGS THAT...
YOU SHOULD NEVER SPEAK.
336
00:20:26,367 --> 00:20:29,667
[♪]
337
00:20:30,267 --> 00:20:33,367
>>WELL YES, THERE IS NO CASE TO REMOVE
THE PAST, THE TRUTH.
338
00:20:34,434 --> 00:20:36,466
[♪]
339
00:20:36,467 --> 00:20:40,066
DO YOU KNOW THAT BECAUSE OF HIS DEATH
GÜERO I'M LIVING A LIFE
340
00:20:40,067 --> 00:20:43,434
HERE SO FAR FROM MEXICO, FROM ME
EARTH?
341
00:20:44,133 --> 00:20:48,267
[♪]
342
00:20:50,434 --> 00:20:52,667
>>YOU LOVED IT A LOT, RIGHT?
343
00:20:53,467 --> 00:20:57,399
[♪]
344
00:20:57,400 --> 00:21:03,733
>>DO YOU KNOW WHAT... I THOUGHT THAT
I WILL NEVER LOVE AGAIN
345
00:21:03,734 --> 00:21:10,801
ANYONE LIKE HIM? NEVER.
I WOULD GIVE ANYTHING, I WOULD GIVE THE
346
00:21:11,133 --> 00:21:15,066
HALF OF WHO I AM, OR ALL OF
WHAT I AM NOT YET, FOR
347
00:21:15,067 --> 00:21:20,466
VENGE THE MEMORY OF MY GÜERO.
AND THEY WILL HEAR ABOUT ME IN MEXICO,
348
00:21:20,467 --> 00:21:27,533
HUH? YOU WILL SEE... VERY SOON.
YOU WILL SEE VERY SOON, P... GÜERO.
349
00:21:27,534 --> 00:21:31,199
>>MADAM, WELL I DON'T KNOW HOW TO SPEAK
350
00:21:31,200 --> 00:21:37,601
VERY NICE, BUT I WOULD LIKE TO GIVE IT
YOUR BIRTHDAY GIFT.
351
00:21:39,267 --> 00:21:43,167
[♪]
352
00:21:44,100 --> 00:21:45,801
LOOK.
353
00:21:46,033 --> 00:21:48,666
>>AND THIS?
354
00:21:48,667 --> 00:21:49,666
>>SO WHAT CAN I GIVE YOU?
355
00:21:49,667 --> 00:21:53,500
TO YOU THAT YOU CANNOT
BUY?
356
00:21:53,501 --> 00:21:54,533
IT IS THE STAMPITA OF THE SAINT
357
00:21:54,534 --> 00:21:58,500
MALVERDE, AND HE HAS SAVED ME
MANY
358
00:21:58,501 --> 00:22:02,433
TIMES OF DEATH, YOU KNOW.
359
00:22:02,434 --> 00:22:08,166
NOW I WANT IT TO BE FOR
YOU.
360
00:22:08,167 --> 00:22:13,032
BUT... PRAY HIM THAT THE
PROTECT, AND DO NOT GO TO
361
00:22:13,033 --> 00:22:15,032
SURPRISING DEATH THERE, AND
362
00:22:15,033 --> 00:22:19,100
LESS AT THAT UGLY TIME THAT YOU
SAYS.
363
00:22:19,534 --> 00:22:21,334
[Laughs]
364
00:22:23,634 --> 00:22:24,634
>>OH, POT!
365
00:22:25,367 --> 00:22:27,467
[♪]
366
00:22:28,133 --> 00:22:29,500
WE ARE GOING TO PROVIDE A LITTLE CROSS,
ANDELE.
367
00:22:29,501 --> 00:22:30,500
>>VA.
368
00:22:30,501 --> 00:22:32,400
>>ASK FOR SOMETHING.
369
00:22:35,634 --> 00:22:39,200
[Laughs]
370
00:22:41,234 --> 00:22:43,500
>> DON'T YOU BRING ANY MORE COINS
PA'LA JUNCkey?
371
00:22:43,501 --> 00:22:50,567
>>LET ME SEE. NO, COINS
WELL NO. I BRING EUROS.
372
00:22:52,300 --> 00:22:55,801
>>NO, WHAT THE F... EUROS! SERVE ME
ANOTHER TEQUILA, GO ON.
373
00:22:56,567 --> 00:23:03,634
[♪]
374
00:23:11,234 --> 00:23:14,234
[Laughs]
375
00:23:16,467 --> 00:23:17,634
SHH...
376
00:23:21,501 --> 00:23:26,734
♪ He was 20 years old,
I was twice his age. ♪
377
00:23:27,400 --> 00:23:30,667
[Laughs]
378
00:23:36,367 --> 00:23:37,801
>>SHALL I HELP YOU?
379
00:23:38,634 --> 00:23:42,999
[Laughs]
380
00:23:43,000 --> 00:23:47,066
>>YOU HAVE COME BECAUSE
YOU WERE AFRAID, HUH? WHAT YES?
381
00:23:47,067 --> 00:23:50,999
HAVE YOU THOUGHT: OOPS! I'M GOING TO SEE
BECAUSE THIS WOMAN IS CAPABLE OF
382
00:23:51,000 --> 00:23:53,033
POISON ME TOO.
383
00:23:54,067 --> 00:23:56,967
[Laughs]
384
00:23:56,968 --> 00:23:58,067
[Sigh]
385
00:23:58,667 --> 00:24:00,433
>>MARCELA, YOU ARE VERY DRUNK.
386
00:24:00,434 --> 00:24:03,767
>>IT'S LONG BEEN A MAN
IT DOESN'T HELP ME. UM!
387
00:24:04,000 --> 00:24:07,999
>>DO YOU STILL WANT TO CONTINUE
DRINKING? I DON'T BELIEVE YOU.
388
00:24:08,000 --> 00:24:13,633
>>I'M GOING TO ANSWER YOU WITH ANOTHER
QUESTION.
389
00:24:13,634 --> 00:24:19,066
HAVE YOU EVER BEEN BED
WITH A WOMAN, EH?
390
00:24:19,067 --> 00:24:20,299
>>WHAT?!
391
00:24:20,300 --> 00:24:25,133
>> WHAT IF YOU HAVE SLEEP WITH
A DRUNK WOMAN.
392
00:24:27,501 --> 00:24:30,032
>>MARCELA, LOOK, I THINK YOU'VE ALREADY
DRINK TOO MUCH. WHY DON'T YOU
393
00:24:30,033 --> 00:24:32,967
ARE YOU GOING TO SLEEP NOW, ONCE?
394
00:24:32,968 --> 00:24:37,700
>>CHILDREN AND DRUNKS
THEY ALWAYS TELL THE TRUTH, HUH?
395
00:24:37,701 --> 00:24:43,600
LOOK, HONEY, YOU KNOW?
I'M TWICE AS YEARS OLD AS YOU, AND
396
00:24:43,601 --> 00:24:47,700
I HAVE LEARNED SOMETHING IN ALL OF THIS
TIME.
397
00:24:47,701 --> 00:24:53,433
OH BUT RELAX! WHAT DOESN'T HAPPEN
NOTHING.
398
00:24:53,434 --> 00:24:56,801
WELL, BETTER SAID, IT'S NOT GOING TO
NOTHING HAPPENS THAT YOU DON'T
399
00:24:57,033 --> 00:25:00,399
YOU WANT IT TO HAPPEN.
400
00:25:00,400 --> 00:25:01,733
>>NO, LET'S SEE, I AM...
401
00:25:01,734 --> 00:25:07,132
>>SHH...
ALBERTO, YOU KNOW? IS THAT EVERYTHING
402
00:25:07,133 --> 00:25:12,333
THIS TIME YOU HAVE SEEN ME LIKE
A MODEST WOMAN, WHO HAS NOT
403
00:25:12,334 --> 00:25:19,366
BROKEN A PLATE. BUT I AM SOMETHING
MORE, HUH?
404
00:25:19,367 --> 00:25:22,433
YOU DON'T KNOW THE GUYS THAT ME
THEY WROTE ON THE INTERNET WHEN
405
00:25:22,434 --> 00:25:27,700
HE WAS IN JAIL.
I AM A WOMAN WHO FEELS
406
00:25:27,701 --> 00:25:33,701
AND SUFFERS, ALBERTO.
DO YOU KNOW THE POET RILKE?
407
00:25:34,701 --> 00:25:36,500
[Laughs]
408
00:25:36,501 --> 00:25:42,333
YOU'VE READ RILKE, WHAT A SURPRISE!
DO YOU KNOW WHAT RILKE SAID?
409
00:25:42,334 --> 00:25:43,999
>>WHAT?
410
00:25:44,000 --> 00:25:47,767
>>THAT THE JOY OF SEX IS LIKE
THE FEELING THAT CAPTURES THE
411
00:25:48,000 --> 00:25:52,501
TONGUE WHEN TASTEING A
BEAUTIFUL FRUIT, HUH?
412
00:25:55,133 --> 00:26:01,399
SEX IS AN EXPERIENCE
WONDERFUL, INFINITE, BIG.
413
00:26:01,400 --> 00:26:06,066
AND MORE COMPLETE WHEN IT COMES
OF A YOUNG MAN WHO WANTS
414
00:26:06,067 --> 00:26:11,466
EXPERIENCE THINGS
WONDERFUL THINGS OF LIFE.
415
00:26:11,467 --> 00:26:17,300
WELL, RILKE DON'T SAY THAT...
THAT'S WHAT I SAY, HUH?
416
00:26:17,767 --> 00:26:24,767
[♪]
417
00:26:35,601 --> 00:26:37,700
>>CAN I KNOW WHAT'S WRONG WITH YOU?
418
00:26:37,701 --> 00:26:41,066
>>I CAN NO LONGER CONTINUE WITH THE
OPERATION SAPFO. I NEED
419
00:26:41,067 --> 00:26:43,733
RETURN TO MEXICO ASAP
POSSIBLE.
420
00:26:43,734 --> 00:26:44,566
>>WHAT...?!
421
00:26:44,567 --> 00:26:49,533
CAN I KNOW WHAT THE F... HAPPENED,
VERONICA?!
422
00:26:49,534 --> 00:26:52,066
>>TODAY I FOUND OUT THAT
I FELL IN LOVE WITH THAT WOMAN.
423
00:26:52,067 --> 00:26:54,801
UNDERSTAND THAT I CAN'T CONTINUE
WITH THIS OPERATION!
424
00:26:55,467 --> 00:27:01,601
[♪]
425
00:27:03,601 --> 00:27:10,601
[gasps]
426
00:27:13,567 --> 00:27:19,100
[♪]
427
00:27:19,567 --> 00:27:23,400
>>QUIET, THAT HAPPENS TO
ANYONE.
428
00:27:24,767 --> 00:27:27,633
[♪]
429
00:27:27,634 --> 00:27:29,667
WHAT ARE YOU DOING?
430
00:27:31,367 --> 00:27:34,700
[♪]
431
00:27:34,701 --> 00:27:40,400
>>I'M SORRY. I CAN'T
DO IT WITH A MURDERER.
432
00:27:41,501 --> 00:27:48,501
[♪]
433
00:27:54,434 --> 00:28:00,466
>>WELL, AT LEAST IT'S NOT BECAUSE
BE UGLIER THAN A THISTLE
434
00:28:00,467 --> 00:28:02,100
DONKEY.
435
00:28:02,701 --> 00:28:09,701
[♪]
436
00:28:17,367 --> 00:28:18,634
[sobs]
437
00:28:21,734 --> 00:28:28,734
[♪]
438
00:28:39,400 --> 00:28:40,166
Willy: YOU ARE WORKING ON THE
439
00:28:40,167 --> 00:28:42,233
MOST IMPORTANT MISSION OF YOUR
CAREER, VERONICA.
440
00:28:42,234 --> 00:28:43,333
AND NOW YOU TELL ME THAT YOU ARE
441
00:28:43,334 --> 00:28:45,500
IN LOVE WITH A...
CRAZY DRUG ADDICT?!
442
00:28:45,501 --> 00:28:47,999
>>IN ADDITION TO BEING AN OFFICER
I AM ALSO A HUMAN BEING!
443
00:28:48,000 --> 00:28:51,132
>>BE HUMAN, MANGOES! YOU
WHEN YOU ENTERED THE AGENCY
444
00:28:51,133 --> 00:28:54,266
YOU KNEW YOU HAD TO LEAVE YOUR
PERSONAL LIFE ON THE SIDE, RIGHT?!
445
00:28:54,267 --> 00:28:57,600
>>YES, BUT IT IS VERY DIFFERENT
PRACTICE TO THEORY!
446
00:28:57,601 --> 00:28:58,967
I HAD NEVER BEEN INVOLVED
447
00:28:58,968 --> 00:29:01,566
SENTIMENTALLY WITH SOMEONE
THAT WAY.
448
00:29:01,567 --> 00:29:04,999
>>YOU HAVE NO IDEA WHAT
WHAT IT IS TO GET INVOLVED
449
00:29:05,000 --> 00:29:07,501
SENTIMENTALLY. NO IDEA.
450
00:29:09,167 --> 00:29:16,167
[♪]
451
00:29:20,067 --> 00:29:23,199
DO YOU KNOW WHO HE IS?
452
00:29:23,200 --> 00:29:23,999
>>NO.
453
00:29:24,000 --> 00:29:27,567
>>ALEX, MY SON.
454
00:29:28,334 --> 00:29:34,601
DO YOU KNOW WHERE IT IS IN THIS
MOMENT? IN A CEMETERY.
455
00:29:35,367 --> 00:29:38,601
[♪]
456
00:29:39,701 --> 00:29:43,199
I KILLED MY SON, VERONICA.
457
00:29:43,200 --> 00:29:49,266
HE BELONGED TO A BAND OF
YOUNG DRUG TRAFFICKERS.
458
00:29:49,267 --> 00:29:51,032
IT WAS AN OPERATION THAT...
459
00:29:51,033 --> 00:29:57,467
IT WAS UNDER MY COMMAND, AND I
I GAVE THE ORDER... TO SHOOT.
460
00:30:01,534 --> 00:30:04,666
I KILLED HIM.
461
00:30:04,667 --> 00:30:07,433
AND YOU KNOW WHAT IS THE MOST
IRONIC?
462
00:30:07,434 --> 00:30:11,299
THE MOST IRONIC THING ABOUT THIS M...,
VERÓNICA, IT IS THAT THE OPERATION
463
00:30:11,300 --> 00:30:17,500
IT WAS A SUCCESS.
I HAVE NOT STOPPED FEELING
464
00:30:17,501 --> 00:30:24,032
GUILTY ONLY ONE DAY.
THAT'S BEING INVOLVED
465
00:30:24,033 --> 00:30:26,601
SENTIMENTALLY.
466
00:30:27,267 --> 00:30:34,267
[♪]
467
00:30:40,667 --> 00:30:42,600
I DON'T USUALLY SAY THIS KIND OF
468
00:30:42,601 --> 00:30:49,667
THINGS. I AM PROUD OF YOU,
469
00:30:50,234 --> 00:30:53,500
I AM PROUD OF YOUR WORK.
470
00:30:53,501 --> 00:30:54,533
YOU MANAGED TO INFILTRATE YOURSELF
471
00:30:54,534 --> 00:30:56,767
TRANSER NAGA, YOU ARE NEAR
472
00:30:57,000 --> 00:30:59,066
SÁNCHEZ GODOY, THE C... WHO ME
473
00:30:59,067 --> 00:31:02,033
I WANTED TO SEE DEAD IN MY LAST
MISSION.
474
00:31:03,033 --> 00:31:05,600
WE ARE ABOUT TO GRAB THEM,
VERONICA.
475
00:31:05,601 --> 00:31:11,399
AND IT DEPENDS ON YOU... SO TAKE
A DECISION. YOU STILL IN THE
476
00:31:11,400 --> 00:31:16,367
MISSION OR YOU LEAVE RIGHT NOW
FOR MEXICO.
477
00:31:16,701 --> 00:31:23,701
[♪]
478
00:31:36,334 --> 00:31:38,367
>>ARE YOU NOT GOING TO HAVE BREAKFAST?
479
00:31:39,501 --> 00:31:41,299
[knocks on the door]
480
00:31:41,300 --> 00:31:43,132
YES, AURORA.
481
00:31:43,133 --> 00:31:46,767
>>DON TEO, SOME POLICE ARE
ASKING ABOUT THE LADY.
482
00:31:48,267 --> 00:31:53,033
[♪]
483
00:31:55,033 --> 00:31:55,767
>>I DON'T WANT TO SEE ANYONE, TEO.
484
00:31:56,000 --> 00:31:57,700
I WANT THEM TO GO!
485
00:31:57,701 --> 00:32:01,767
TEO... PLEASE TELL THEM TO KNOW
GO!
486
00:32:02,000 --> 00:32:05,266
I KNOW THAT YOU HAVE CALLED THEM
FOR THEM TO COME. I KNOW.
487
00:32:05,267 --> 00:32:06,333
>>EUGENIA, I ASSURE YOU THAT I DO NOT
488
00:32:06,334 --> 00:32:07,633
I HAVE HAD NOTHING TO DO WITH THE
VISIT OF THOSE GENTLEMEN.
489
00:32:07,634 --> 00:32:09,033
>>LIE...!
490
00:32:09,300 --> 00:32:12,266
TEO, YOU WENT TO REPORT ME, AND
NOW THEY'VE COME TO ARREST ME!
491
00:32:12,267 --> 00:32:14,533
>>DO YOU WANT TO GET DRESSES AND GO OUT?
SEE WHAT THEY WANT?!
492
00:32:14,534 --> 00:32:18,566
>>SHH... NO ONE CAN FIND OUT,
TEO. NO ONE CAN FIND OUT ABOUT
493
00:32:18,567 --> 00:32:24,999
THAT YOU ARE GOING TO ABANDONE ME, FOR
PLEASE...
494
00:32:25,000 --> 00:32:26,566
>>EUGENIA, DON'T PUT IT ON ANYMORE
DIFFICULT.
495
00:32:26,567 --> 00:32:27,633
>>AND I DON'T WANT THEM TO KNOW
WHAT
496
00:32:27,634 --> 00:32:30,433
YOU'RE GOING TO TAKE THE GIRLS.
497
00:32:30,434 --> 00:32:32,734
PLEASE, TEO, DON'T TELL
NOBODY, OKAY?
498
00:32:36,100 --> 00:32:41,133
PLEASE LEAVE ME ALONE.
I WANT TO DRESS UP.
499
00:32:43,767 --> 00:32:49,466
AND TELL THOSE GENTLEMEN THAT NOW
I'M GOING DOWN TO ATTEND THEM.
500
00:32:49,467 --> 00:32:53,334
>>OK, I'LL WAIT FOR YOU AT THE
LIVING ROOM.
501
00:32:54,534 --> 00:33:01,601
[♪]
502
00:33:07,634 --> 00:33:14,634
[♪]
503
00:33:22,367 --> 00:33:29,367
[♪]
504
00:33:41,133 --> 00:33:42,700
>> THEY ARE ALREADY HERE.
505
00:33:42,701 --> 00:33:45,200
>> LET IT COME IN, WE ARE
WAITING.
506
00:33:47,601 --> 00:33:51,666
>>LET'S SEE, TESA.
LET'S LISTEN TO THEM AND SEE WHAT THEY SAY.
507
00:33:51,667 --> 00:33:53,700
IF THEY USED SÁNCHEZ GODOY
FOR YOU TO ACCEPT THIS
508
00:33:53,701 --> 00:33:56,533
INTERVIEW, THEY MUST COME WITH
SOME IMPORTANT PROPOSAL.
509
00:33:56,534 --> 00:34:02,566
>>OLEG, THEY ALMOST KILLED ME. IF THEY COME
FOR CH... I'M NOT GOING TO LEAVE ME.
510
00:34:02,567 --> 00:34:05,600
>>REMEMBER WHAT I TOLD YOU, HUH?
SOMETIMES YOU WIN BY LEAVING
511
00:34:05,601 --> 00:34:11,333
TWIST YOUR ARM A LITTLE.
OH?
512
00:34:11,334 --> 00:34:13,033
>>IT'S OKAY.
513
00:34:14,300 --> 00:34:15,767
>>OVER HERE, PLEASE.
514
00:34:16,767 --> 00:34:23,767
[♪]
515
00:34:25,300 --> 00:34:29,367
>>WELCOME TO TRANSER
NAGA, GENTLEMEN. SIT DOWN.
516
00:34:31,000 --> 00:34:38,000
[♪]
517
00:34:45,701 --> 00:34:46,801
[Remember]
518
00:34:47,033 --> 00:34:48,666
Santiago: SISO PERNAS LOVES ME
GET OUT OF THE MIDDLE BECAUSE HE HATES ME
519
00:34:48,667 --> 00:34:52,132
SINCE WE WERE KIDS.
520
00:34:52,133 --> 00:34:53,801
I KNOW THEY SABOTED MY BOAT AND
LE
521
00:34:54,033 --> 00:34:57,366
THEY NOTIFIED THE POLICE OF MY ROUTE.
WE WERE LOADED WITH COCA, BUT
522
00:34:57,367 --> 00:35:01,266
WELL, LET'S THROW C... AND LEAVE
THERE.
523
00:35:01,267 --> 00:35:03,633
>>BUT HOW, HE'S NO LONGER GOING TO
MEET WITH YOU?
524
00:35:03,634 --> 00:35:06,266
>>NOT AS LONG AS YOUR FATHER IS STILL WITH
525
00:35:06,267 --> 00:35:11,801
LIFE. BUT SISO YOU CAN'T
TRUST BECAUSE HE IS ONE OF THE ONE WHO WILL TELL YOU
526
00:35:12,033 --> 00:35:14,366
THE STAB IN THE
BACK WITHOUT WARNING.
527
00:35:14,367 --> 00:35:17,501
HE IS THE REAL SON OF P...
FROM THE PERNAS CLAN.
528
00:35:18,300 --> 00:35:23,267
[♪]
529
00:35:24,167 --> 00:35:26,600
>>I DON'T UNDERSTAND WHAT THEY DO
YOU HERE NOW.
530
00:35:26,601 --> 00:35:29,399
>>WE NEED TO TALK
WITH HIS WIFE.
531
00:35:29,400 --> 00:35:30,666
>>IS NOT ENOUGH WITH THE
INTERVIEW WE HAD
532
00:35:30,667 --> 00:35:33,132
IN THE HOSPITAL?
533
00:35:33,133 --> 00:35:35,399
WHY DO YOU WANT TO TALK?
WITH HER NOW?
534
00:35:35,400 --> 00:35:38,199
>>BECAUSE NEWS HAVE EMERGED
EVIDENCE REGARDING THE ATTEMPT
535
00:35:38,200 --> 00:35:41,433
OF MURDER OF WHICH YOU WERE
VICTIM.
536
00:35:41,434 --> 00:35:44,801
Eugenia: GOOD MORNING.
WHAT CAN I HELP YOU WITH?
537
00:35:45,033 --> 00:35:46,132
>>GOOD MORNING, MADAM.
538
00:35:46,133 --> 00:35:47,566
WE NEEDED TO ASK YOU
ABOUT
539
00:35:47,567 --> 00:35:50,666
THE RELATIONSHIP YOU HAD WITH
THE LATE EDDY ALVAREZ.
540
00:35:50,667 --> 00:35:52,767
>>I DON'T KNOW WHAT THEY ARE TALKING TO ME ABOUT.
541
00:35:54,334 --> 00:35:56,266
>>MADAM, THIS IS THE LIST OF
542
00:35:56,267 --> 00:35:59,600
THE PHONE CALLS THAT
YOU DID IT FROM YOUR MOBILE
543
00:35:59,601 --> 00:36:03,266
DAYS BEFORE THE ATTEMPT TO
MURDER OF HER HUSBAND.
544
00:36:03,267 --> 00:36:06,366
HERE ARE MORE THAN 30 CALLS THAT
YOU MADE THE MOBILE
545
00:36:06,367 --> 00:36:08,266
EDDY ALVAREZ.
AND AS EVERYONE KNOWS,
546
00:36:08,267 --> 00:36:10,166
HE WAS THE ONE WHO HIRED THE
PEOPLE WHO SHOT
547
00:36:10,167 --> 00:36:13,466
AGAINST HER HUSBAND.
I REPEAT THE QUESTION, MADAM.
548
00:36:13,467 --> 00:36:16,501
WHAT RELATIONSHIP DID YOU HAVE WITH
EDDY ALVAREZ?
549
00:36:20,067 --> 00:36:22,701
>>I PAID EDDY TO
LET ME DO IT.
550
00:36:23,767 --> 00:36:26,533
[♪]
551
00:36:26,534 --> 00:36:30,500
AND I DIDN'T DO IT FOR THE MONEY
SURE, TEO.
552
00:36:30,501 --> 00:36:31,566
I DID IT TO HONOR THE WOMAN
553
00:36:31,567 --> 00:36:33,032
HUMILIATED THAT HAS ENDED
ALL
554
00:36:33,033 --> 00:36:34,633
YOUR INFIDELITIES, WHY NOT
555
00:36:34,634 --> 00:36:36,399
I COULD WITHSTAND THE MOCK OF
ALL
556
00:36:36,400 --> 00:36:40,266
THOSE WHO KNOW ABOUT YOUR ADVENTURES
AND... THEY WERE MOCKING ME
557
00:36:40,267 --> 00:36:42,099
BACKS, WHILE I
WAS LEFT
558
00:36:42,100 --> 00:36:47,466
AT HOME... TRYING TO LIFT
OUR MARRIAGE.
559
00:36:47,467 --> 00:36:52,801
TEO, I HAVE GIVEN YOU ALL MY LIFE. TE
I HAVE GIVEN TWO WONDERFUL DAUGHTERS,
560
00:36:53,033 --> 00:36:55,366
THAT NO ONE WILL NEVER BE ABLE
GIFT YOU.
561
00:36:55,367 --> 00:37:02,501
AND YOU HAVE MADE ME FEEL LESS
WHAT NOTHING. I'M SORRY.
562
00:37:03,534 --> 00:37:07,566
I HOPE YOU ARE NEVER HAPPY.
563
00:37:07,567 --> 00:37:10,132
>>MADRID, YOU'RE GOING TO HAVE TO
JOIN US.
564
00:37:10,133 --> 00:37:14,700
>>COURSE. CAN YOU GIVE ME A MINUTE? WHAT
YESTERDAY I HAD AN ACCIDENT AND I HAVE
565
00:37:14,701 --> 00:37:19,066
TAKE A PILL, BUT
SETTLE YOURSELF.
566
00:37:19,067 --> 00:37:20,701
>>VERY GOOD.
567
00:37:22,200 --> 00:37:29,200
[♪]
568
00:37:33,634 --> 00:37:40,634
[♪]
569
00:37:45,334 --> 00:37:48,534
[♪]
570
00:37:49,667 --> 00:37:56,667
[♪]
571
00:38:07,000 --> 00:38:08,132
[Hallucinates]
572
00:38:08,133 --> 00:38:15,200
>>MURDERER... MURDERER...!
573
00:38:18,701 --> 00:38:21,801
[♪]
574
00:38:23,801 --> 00:38:30,100
[♪]
575
00:38:30,400 --> 00:38:31,400
[Shot]
576
00:38:31,734 --> 00:38:32,700
>>THAT WAS A SHOT!
577
00:38:32,701 --> 00:38:34,300
>>HOLY GOD! EUGENIE!